Good vibrations make Aussie piano great
Mathematics will feature at a music festival this week to explain how
instrument maker Wayne Stuart built a world-class piano that may become the
basis of a new industry in Australia.
The Stuart pianos not only look magnificent, they have also attracted praise
from concert pianists around the world because of their remarkable clarity of
sound.
CSIRO Mathematician Dr Bob Anderssen will present a talk about how Wayne
Stuart achieved this unique sound at the Keyboard Festival at the University of
Newcastle's Conservatorium of Music on Monday.
"A piano festival might be a strange place to hear about mathematics," says
Dr Anderssen. "But mathematics reveals why this piano sounds so wonderful."
It's all a matter of vibrations.
Wayne Stuart works with the Faculty of Music at the University of Newcastle
to produce the pianos. With his technological innovation, supported now by
mathematicians, scientists and engineers, he hopes to establish a world-class
piano manufacturing industry in Australia.
The Stuart pianos are based on Wayne Stuart's vision to design and build a
piano with outstanding sustain and clarity a piano that 'sings'.
"A key feature of the new pianos," explains Wayne Stuart, "is the way the
strings are coupled to the soundboard. The coupling design found in other pianos
is as old as the piano itself."
"But, we needed to know why the new coupling method gives the Stuart pianos
such wonderful clarity. And this understanding had to be mathematical, so that
the future production and continued improvement of the piano could be placed on
a firm scientific basis," adds Professor Robert Constable, Director of the
Conservatorium.
Dr Anderssen has found out how the new coupling method is responsible for the
wonderful clarity of sound that the Stuart pianos produce.
By exploiting existing knowledge about piano sounds and string vibration,
some of it over two thousand years old, Dr Anderssen was able to build a
mathematical model of the way piano strings vibrate.
"The model reveals how, in standard grand pianos, the strings begin vibrating
vertically but change to vibrate horizontally, parallel to the soundboard," Dr
Anderssen says.
"This change to a horizontal vibration makes the sound less harmonious."
"But, in the Stuart piano, the vibrations stay in the vertical plane because
of the special coupling method implemented by Stuart. This gives a more
harmonious and stronger sound," he said.
"CSIRO's modelling will continue to assist Wayne in refining his design for
future Stuart pianos," says Professor Constable. "Our long term goal is to
establish a piano manufacturing industry in Newcastle."
Contacts:
Dr Bob
Anderssen
CSIRO Mathematical and Information
Sciences
Phone: 0418 425 445 or (02) 6216 7260
(from 17/8)
Professor Robert Constable
Dean and
Director, Faculty & Conservatorium of Music,
University of
Newcastle
Phone: (02) 4921 8908 (business
hours)
Over the weekend: via Mr Philip Sketchley (Hall and Concert
Manager) on
02 4921 8905
Wayne Stuart
Stuart and
Sons
Phone: (02) 4961 3771 (business
hours)
Over the weekend: via Mr Philip Sketchley
(Hall and Concert Manager) on
02 4921
8905
Sound and vision opportunities:
The
Stuart piano will be played on many occasions during the Festival which runs
from August 13 to 19. Please contact Mr Philip Sketchley (Hall and Concert
Manager) on 02 4921 8905 to arrange to see and hear the piano in
action.
Footage of Wayne Stuart making the pianos
is also available contact Wayne Stuart.
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